Bergens Tidende 23.10.1997 Eiliv Eide "1900 Morgenrød" ("1900 Sunrise") "...But the strong epic drive, the lushness, the large, colourful, well-organised cast
of characters, the vivid glimpses of Bergen and its surroundings two generations
previous, the tension in the account of a murder and its many implications, and last but
not least the sociological slant, emphasizing class divisions in a fragmented community,
all this will entice many to immerse themselves in this ample novel..."
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Bergens Tidende 1985 Eiliv Eide "Hekseringen" ("The witch ring") "...The portrayal of the social milieu is clearly one of Staalesen's strengths - for
example the blackmail novel which takes place in Munkebotn (we see the nature before
us). Conversation - dialogue - is another of his strong sides. The dialogue is terse,
pointed and action-oriented. But Staalesen can also tell a story; the suspense is
effectively built up and resolved...." |
Aftenposten 6.9. 1995 Terje Stemland "Skriften på veggen" ("The writing on the wall") "...A master of repartee. What perhaps is most striking in reading "Skriften på veggen"
is Gunnar Staalesen's flair for the witty comment. He writes'em as people speak, with
all the pauses, digressions, "illogical" leaps and defence mechanisms..."
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Bergens Tidende 30.05.1988
Willy Dahl "Svarte får" ("Black sheep") "...Oh no, Bergen is not a lively place. In Gunnar Staalesen's version. In "Svarte
får" the city is the setting for a double murder, narcotics smuggling to the North Sea,
an insurance swindle and prostitution in a hip locale complete with discotheque and
restaurant. Add a dash of adultery and violence and the result is yet an unassuming
book, a city portrait in the fading November light and the bitter, sweet-sour memories
of a former and happier time..."
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Aftenposten Morgen 19.07.1991
Håvard Rem
"Bitre blomster" ("Bitter blooms")
"...A criminal-literary building inspector would find little fault with the
construction. Staalesen is an ambitious architect with a sense for the elaborate and an
eye for the practical. "Bitre blomster" is a sort of blend of haphazard caravan and a
mansion of the finest ever glimpsed on Mt. Fløyen...." |
Aftenposten 12.07.1983
Eilif Straume
"I mørket er alle ulver grå" (At Night All Wolves are Grey)
"...What's strange is that Arne Garborg's words in "Den bortkomne faderen" ("The
fugitive father"): "He who looks finds. But not what he is looking for," can be used
in the most amazing of contexts. I had been looking forward to an especially exciting
crime novel, and found instead that I had read a novel about human values. About people
let down by life. About the postwar period and contemporary life, and perhaps most of
all, about the city of Bergen...."
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Aftenposten 30.01.1975
Terje Wiig
"Rygg i rand, to i spann" ("Side by side, two in a bind")
"...Gunner Staalesen, who with "Rygg i rand, to i spann" won second prize in Gyldendal's
crime competition, is a young man with an indisputable talent for the criminal
mystery... What's more, he has managed to cultivate that suspense in our own country.
No mysterious muscle-bound secret agents or cold-blooded spies here. They are just two
ordinary Bergen police officers sniffing out a case...."
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Dagbladet 11.11.1998
Øystein Rottem
"1950. High Noon-" ("1950. High Noon")
"...He sets great store by involving as much historical detail as possible. Substantial
portions of the book resemble historical accounts of significant developments in the
relevant time period, a kind of fictionalised history writing in which the architecture
and communications enthusiast author, among other things, focuses on changes in the
city's façade. As a "historian", Staalesen is naturally also interested in the most
dramatic events in the city's history - great fires and explosions that left sections of
the city in ruins, resulting in considerable loss of life. Characteristic for his
compositional technique, it is in the context of such dramatic events that he gathers
most of his characters and portrays their experiences and varying reactions..."
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Berlingske Tidende, 26.09.1990
Bo Tao Michaelis
"Faldne engle" ("Fallen Angels")
"..."Faldne Engle" is Staalesen's most ambitious criminal saga about Veum. And the
best! It quakes in its intense, cacophonous tension. It is lyrically fervent in Veum's
personal encounter with a mile pole, at which stand a couple maturing men from an
earlier Bergen rock scene..."
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Politiken 04.12.1998
Bo Tao Michaelis
"1900 Morgenrøde" ("1900 Sunrise")
"...Fabulously told and well-written in an ironic, twisted realism, lyric freckles in
the windblown face of Bergen's history, the old Danish-German-Norwegian Hanseatic town
with a willing eye towards western progress but with both feet firmly planted in the
Norwegian bible belt stretching towards the east..."
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Berlingske Tidende, 1998
Henrik List
"1900 Morgenrøde" ("1900 Sunrise")
"..."1900 Morgenrød" is thus a well-written, easily read and particularly entertaining
combination of popular history, family chronicle and crime novel - a kind of Norwegian
literary-hardcore version of "Matador", with more weight on realism than nostalgia..."
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Kieler Rundschau 23.12.1987
"Im Dunkeln sind alle Wölfe grau"
"...Staalesen gelingt es in diesem Kriminalroman, eine ungeheuer dichte
Atmosphäre aufzubauen. Sein dänischer Kollega Dan Turèll meinte, der
Roman gleiche einem langen slow blues.
Es ist erstaunlich, dass dieser gute Krimi- Autor erst jetzt für den
deutschen Buchmarkt entdeckt wurde..."
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Svenska Dagbladet 30.08.1987
Ulf Durling
"I mörkret är alla ulvar grå" (At Night All Wolves are Grey)
"...It is therefore bold - even a daring gamble - to join up with the so-called
hardboiled school without becoming mired in clichés. Instead the genre is revitalized
with a fresh, western wind..."
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The Times 03. April 1986
Marcel Berlins
"At Night all Wolves are grey"
"...Set in Bergen, written in Norwegian. Staalesen's novel has an
unmistakeable whiff of Ross Macdonald's California. Varg Veum is in
the best traditions of sleuthery. The dense plot combines interesting
glimpses of the seamier side of non-fjord Norway with wartime
treachery and a thirty year old fatal mystery fire..."
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